Maryland has 100-degree, 95% humidity summers and 32-degree, snow-filled but dry-inside (from heaters) winters, which is great for drying wood in an attic over a long period of time, but it’s not a conducive environment to make guitars in. That list would be USA, Japan, South Korea, Indonesia, with China, India, and Vietnam sort of interchangeable. So I tend to think the guitars don’t mind where they are made, so long as they were made carefully and skillfully with the maker keeping the musician’s best interests in mind. Buy them in kits with all the other parts like tuners, bridge, and pickups – or just get the body and neck and supply your own components. This is a point that will come up very often in this ible : This is my first time making a guitar, therefore I … Exclusive deals, delivered straight to your inbox. Founder/Managing General Partner Masciandaro: For a guitar line with the level of quality we expect for ESP USA, the challenge is finding highly experienced people with the very specific expertise in building these guitars to our standards. As an example, when making guitars, it is very important to craft the instrument in a closely controlled range of temperature and humidity, so the guitar won’t have warping or cracking problems when it is out in the world in the hands of a musician. When it was time for Taylor Guitars founder Bob Taylor to find a successor, he turned to Andy Powers. Store Hours, If you have any questions, please call us at (800) 222-4700. Small-batch tonewoods are hand selected, necks are hand-carved to ensure ease of playability, and all of the details and finishing touches are rooted in perfecting sound, look and feel. We have great full-featured ST-Styled electric guitar kits, TL-style electric guitar kits and LP-style electric guitar kits.Or, if you are ore experienced and adventurous, then we will build your body and necks to your specification. Learn More. However, that’s changing, and what’s important in regard to quality is the experience of the designer and the level of detail in the manufacturing of the instrument, no matter where it’s built. This results in tightly controlled manufacturing shops where accuracy, cleanliness, and environmental responsibility are at a very high level. That can be achieved anywhere with the right people, the right tools, and the right environment. This website uses cookies to improve your experience. Happy customers, one piece of gear at a time! Powers: I haven’t heard a guitar speak in Spanish, English, French, Japanese, Korean, or any language from a country where a guitar was made. What kind of wood you use, how you cut it, how you store it, how and how much you dry it, what kind of glues you use, if you glue in the frets, how the truss rod is housed, the kind of finish you use, how thick is the finish, having proper lighting, having accurate tools, how you make the pickups, how the electronics’ knobs feel in your hand, the quality of the switches, the nut material…I think you get the point. Much like the car industry where companies like Toyota and Nissan had to establish trust with American consumers, a number of overseas guitar makers developed excellent reputations for good designs as well as quality and reliability. Everything you love about Sweetwater in the palm of your hand. The close proximity of a 40-minute drive between our two factories allows us to share tools, machines, labor, materials, and an unending list of support that translates into consistent quality up and down our product line. For most contemporary steel-string guitars, the angle most often lies somewhere between 15° and 17°. Ciravolo: There is certainly a realistic and perceived “hierarchy” on the quality of the country of origin in the guitar community. And no matter where it is made, the best place to buy your dream guitar is Sweetwater. With overseas manufacturing, we have a great level of trust with each of our manufacturing resources so that no matter where they’re built, we can offer great quality and value at the respective price points. The US companies who make the extra effort to perform a final inspection of products before being approved to go out to stores and into the hands of musicians are regarded as offering higher quality than those who don’t. Powers: It can be a real challenge to operate manufacturing facilities in multiple countries, due to differences in governmental regulation, material logistics, service, and a host of other factors including sheer distance. I didn’t have woodwork training—my major was sociology—and I didn’t know anyone who made guitars by hand. When something is built with skill, knowledge, and love, it will always find a good home. The benefits of overseas instruments, in ESP’s case, are we can make guitars and basses at higher volume and with lower price points that better match the budgets of more musicians. All you need is a cardboard box of any size, rubber bands of varying sizes and some imagination to create and decorate your own unique guitar. If those guitars can be made in the country where the player lives, there is an inherently higher level of trust. In 1996, Michael Ciravolo joined Schecter Guitar Research to revitalize the brand. Powers: Here in the United States, we tend to have a very high level of regulation. With the quality of non-American-made guitars at an all-time high, and the prices of US guitars putting a bit of pressure on the average player’s wallet, is it time to re-evaluate our biases toward guitars made outside of our borders? Masciandaro: The myths tend to dispel themselves. Matt Masciandaro is a big part of the company’s success, further embracing Asian manufacturing for the company’s popular LTD line, as well as founding a California-based US custom shop. Outside extremes tend to lead to a wider tolerance range in a workshop, translating to increased variance in the guitars. Masciandaro: Perhaps most important is quality control, especially when it’s a brand being produced in factories overseas. The idea of giving the consumer exactly what the artist plays has been one of the key elements to our success.
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